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Warm Water Under The Bridge 1e16

Format : DVD
4,5 sur 5 étoiles 31 évaluations
62,97 €
Autres formats DVD Édition Disques
Prix Amazon
Neuf à partir de Occasion à partir de
DVD
25 août 2003 		—
1
11,43 €
11,29 € 8,22 €
DVD
14 octobre 2002 		— —
62,97 €
— 62,97 €

Détails sur le produit 284pt

  • Format ‏ : ‎ NTSC, Importé
  • Date de sortie ‏ : ‎ 14 octobre 2002
  • Studio  ‏ : ‎ Imports
  • ASIN ‏ : ‎ B0002JC5MK
  • Commentaires client :
    4,5 sur 5 étoiles 31 évaluations

Commentaires client 6t6x1b

4,5 étoiles sur 5
31 évaluations globales

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Meilleures évaluations de 192n6p

  • cinqocinq
    5,0 sur 5 étoiles tres bien 277126
    Avis laissé en le 23 octobre 2016
    Achat vérifié
    c'est une realité que peu de gens connaissent tres bien evoqué ici avec un peu d'humour et beaucoup de delicatesse
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  • G. Agnes
    5,0 sur 5 étoiles Une comédie hilarante, et intelligente signé Imamura. 6p2561
    Avis laissé en le 23 juillet 2004
    Un film qui ne fait pas dans la dentelle, où plutôt si! Le scénario se déroule autour d'une particularité d'une femme, plutôt comique, et surprenant, que je ne révèlerai pas pour ne pas gâché votre surprise. Les acteurs sont formidables, on peut reconnaître le couples d'acteurs de L'anguille. Les décors sont extraordinairement beau, l'univers de la pêche, déjà vu dans L'anguille.
    Ce film nous immerge complètement et tout entier dans ce délire, dans son délire celui de Imamura, qui progressivement deviens le notre. Où l'on se laisse emporter, par ce tourbillon ironique. L'ironie qui tient une grande place dans le film, est ce qui donne au film d'Imamura, sont côté hilarant, légé, et poétique sur font de boulversement social, le chômage, qui dérègle tout les principes, les principes que l'homme à voulut mettre en place depuis des siècles, le princinpe de travailler à outrance pour ne plus pouvoir penser, réfléchir sur soi. Le chômage fait découvrir a de nombreux salarymen le plaisir du non-agir de Lao Tseu. Le plaisir de réfléchir et de penser. Le plaisir de se laissé aller, et de se connaître. Comme le personnage principale masculin du film le découvre après être tombé au chômage. Lui qui vivait comme un mouton, va découvrir le bonheur, et la liberté
    Ce film et donc formidable, part son côté ironique et hilarant, et sont côté très critique de la société. Un film culte de Imamura.
    7 personnes ont trouvé cela utile
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  • Motorcycleman
    4,0 sur 5 étoiles Pas de sous titres en francais, sous titres en anglais. 1m41v
    Avis laissé en le 8 juin 2022
    Achat vérifié
    Le film est vraiment exellent, mais je trouve étonnant qu'il y ai qu'une seule langue dispo pour les sous titres.
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  • Brunet-jailly 51
    5,0 sur 5 étoiles merci réception impeccable merci au super vendeur !! 273f5j
    Avis laissé en le 1 avril 2022
    Achat vérifié
    j'aime les films de Imamura merci !!!
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  • Bon Selibio
    5,0 sur 5 étoiles Imamura is Great 1k2p4h
    Avis laissé au Canada le 14 décembre 2020
    Achat vérifié
    The film is nice!
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  • Sinuhe
    5,0 sur 5 étoiles Questa pare la migliore versione in DVD 2u1bv
    Avis laissé en Italie le 7 juillet 2014
    Achat vérifié
    Se il film piace viene spontaneo cercare la migliore riduzione su DVD: su un sito si trova il lavoro di confronto già fatto e in maniera veramente approfondita; ho provato a segnalarlo, ma Amazon ha tolto il link: per trovarlo basta cercare "warm water under a red bridge dvd" e scegliere il sito dvdbeaver punto com; ne vale la pena :)
    Il film è assai piacevole; anche se si parla di sesso non presenta la minima scabrosità o scena pornografica e si può mostrare anche ad adolescenti piccoli. Favolosa e azzeccatissima la colonna sonora di Shinichirô Ikebe. Ovviamente in inglese, ma il doppiaggio italiano incredibilmente esiste e si potrebbe fare un lavoretto di giunzione...
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  • J. L. Sievert
    5,0 sur 5 étoiles Water nymphs 3e591j
    Avis laissé au Royaume-Uni le 4 mai 2015
    Achat vérifié
    Taro is an old man who has had a colourful life as a rootless drifter through postwar Japan. He lost his family in the American air raids on Tokyo and thereafter was so poor that he had to steal to eat and survive. For his thieving he spent time in prison. Now he's homeless and lives along a concrete Tokyo riverbank with other homeless persons. Among his few possessions is a small library of books he keeps in his ramshackle tent shack. Because of his bookishness he is known as the Philosopher, and indeed he likes to think and reflect. Living on the margins of society has sharpened his insight into the human condition.

    Yosuke is a 40-year-old unemployed salaryman (white-collar worker) whom Taro has taken under his wing. The old man challenges Yosuke's conservative, conventional view of life with offbeat comments about his version of the good life. For instance, Taro's theory of history:

    “Man's been a lecher all through history. The ruling class never had to worry about survival. They could devote all their energies to food and sex. That's been the ideal from ancient times. Squeeze what they could from the peasants, then enjoy the degenerate life. ...People today are sick. Too educated to honestly it to their desires.”

    He also gives this advice to Yosuke:

    “Forget all the trivialities and throw yourself into lasciviousness. Look, everything else aside, enjoy life while you can still get a hard-on. It's no laughing matter. Be serious about it.”

    Yosuke is doubtlessly drawn to the Philosopher because subliminally he finds his talk attractive. He can hardly imagine for himself the life Taro describes, but he loves the freeing sound of it.

    Yosuke's cell phone rings for the umpteeth time. He knows who it will be — his wife. She's a grasping, selfish, demanding harridan. Her voice is condescending, sarcastic, designed to humiliate and emasculate him. She badgers him to find work and send money, her voice devoid of affection and comion. Instead, she complains that their young son is listless because of his father's inability to provide for him and her. Guilt will do the trick, she hopes.

    Taro tells Yosuke a story of lost love, of a treasure he once had but did not keep. There was a beauty he met many years ago on one of his rambles. She lived in a fishing village by the sea in a house with a sweet shop downstairs. The house was next to a red bridge at a point where the river meets the sea, the fishing at this point particularly rich. A local legend says fish are drawn to the warm water near the bridge, a spot which still attracts anglers.

    Taro adds to the partial truth of this tale by making it taller. The treasure, he says, is a golden Buddha statue worth at least a million yen that he stole from a temple in Kyoto years ago. He left it behind in the house in Noto, the peninsula on the Sea of Japan where the red bridge is located. He tells Yosuke to go there and find the treasure.

    Yosuke takes it all in, but not seriously. He still thinks his destiny is to stay in Tokyo, find new work, resuscitate himself, please his wife, get back on track. But one autumn day the Philosopher dies. The Philosopher's friend says to Yosuke:

    “Poor bugger. He made it through the hot days of summer. He was fine two days ago. But now he's dead.”

    Yosuke feels bereft, adrift, his prospects in Tokyo zero, his future uncertain and problematic. He re vividly a speech Taro had made to him:

    “You should think more and more or your brain cells will rot. The corporate culture doesn't want the workers to think. They want fools who'll work all their lives without complaining. This layoff gives you a good chance to sit and think. The real meaning of freedom is to think for yourself and reach your own conclusions. Only that will make you happy.”

    On the basis of this and much else Taro had said to him he scrapes together what money he can and alights by train to Noto on the coast. As quixotic and absurd as it sounds, he will find the treasure there. He will redeem himself and reclaim his life.

    He arrives. He finds the village, the red bridge, the house with the sweet shop. In it a senile old woman lives with her eccentric granddaughter. Saeko, the granddaughter, is attractive, single, about 30. Everyone in the village knows her and her reputation. A strange legend has grown up around her. She is the source of the warm water under the red bridge. No one knows how but she is a kind of water nymph, a beached mermaid. She fills with water mysteriously and cannot release it by normal means. Only through wicked sorcery can it be vented, the most convenient of which is through ionate sex.

    Yosuke arrives at the house on an afternoon when Saeko is bursting. Already in the local supermarket beforehand he saw her leave a wet puddle behind on the floor. She happened to drop a gold earring in the puddle, which Yosuke fetched to return to her. This he does. She invites him upstairs for an eccentric afternoon snack of European cheeses to be eaten with ice. Beside herself during the meal, Saeko thrusts herself upon him. She rides him as a geyser spray of water shoots up between them. She has vented. She thanks him over and over again for this kindness, a kindness Yosuke realises he would be happy to repeat for her should opportunity arise. Happily, it does — many times thereafter.

    He stays in Noto, takes a job as a fisherman, runs to her house from the fishing boat when she signals to him from the wooden verandah using sunlight reflected from a mirror. The other fisherman in the boat, all locals, know Yosuke is hooked and landed like a fish, but say nothing.

    Time es and certain truths are revealed. Yosuke's wife back in his old world wants a divorce. Saeko's grandmother was Taro's lover. Saeko herself may even be Taro's granddaughter. And the treasure? We're led to believe it's probably the gold of love that Yosuke finds in Saeko, the woman his wife never was, a woman of imagination and ion.

    The warm water attracts fish, fishermen, lovers and legends. Was Saeko's grandmother the same as Saeko in her day? Was she a water nymph too? Has warm water always been running under the red bridge? Taro never said so, so we are free to imagine it for ourselves. But this would give the story perfect symmetry, two rootless men attracted by love and desire, two apparent losers in life redeemed by the ion of beautiful water nymphs.

    The story ends with Taro himself as narrator saying it's an impossible tale. Yes, if you are conventional, but no if you're a dreamer.
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  • Kindle Customer
    5,0 sur 5 étoiles Another great one 3tg
    Avis laissé au Royaume-Uni le 10 mai 2019
    Achat vérifié
    Another great film from master director Shohei Imamura. All his films are worth checking out.
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  • customer B
    5,0 sur 5 étoiles I recommend that you enjoy it 685z2x
    Avis laissé au Royaume-Uni le 12 décembre 2014
    Achat vérifié
    What a strange film, but it lingered in our memories long after we finished watching it. I recommend that you enjoy it, too and let us know what you think.
    Signaler
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